Migos’ new album is the latest in a series of releases which suggest that the group has reached peak saturation. By Owen Zoll
Entertainment
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EntertainmentFilms
‘The Disaster Artist’ review: James Franco delivers comedic inspiration
by Grace Harperby Grace Harper‘The Disaster Artist’ is the story behind the “worst movie ever made” and offers a loving dedication to one’s dreams. By Grace Harper
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The AMPED crew returns for the final time this semester talking about Thomas’ favorite Clutch album, ‘Robot Hive/Exodus.’
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EntertainmentMusicOpinion
Opinion: Why is indie music so white? And is that a problem?
by Ellis Arnoldby Ellis ArnoldHow the music industry has constructed indie and alternative music in a way that perpetuates racial barriers. By Ellis Arnold
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EntertainmentTheatre
Theater review: ‘The Vagina Monologues’ hits the spot
by Sarah Farleyby Sarah FarleyThe play offers a necessary conversation about the beautiful and ugly parts of what women and their vaginas go through. By Sarah Farley
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Beyoncé, as a black, female, feminist artist, is our time’s most groundbreaking — even without the best album Grammy. By Lauren Arnold
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The latest AFI release sticks to the band’s formula of identical song structures well, but a bit too much at times. By Alvaro Sanchez
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Bronx-bred DJ group the Martinez Brothers brought an impeccable show to Denver’s Club Vinyl. By Robert Hylton
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CUI Arts writer Ben Vernon has some choice words for the latest Empire of the Sun album. Words like “Not good.”
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Anderson .Paak and Knxwledge team up to make a beast of an album. By Benjamin Vernon